Sunday 31 August 2008

Grace Notes in Spalding



Here is Caroline playing the Spalding Keyboard. By a flick of a switch it can be played as a practice keyboard i.e. it sounds like a keyboard / small organ. It was very loud with the door to the bells open - it was probably the closest Caroline has been to the bells as she played.





Here's some footage showing the bell-tree arrangement.


And here's how the bells sound from the town square ... surprisingly clear and loud.

Top Note

St Helens on film ...





Wow! Now here's a carillonneur ...


Dropping a clanger ...

Here Caroline attempts to play the carillon at Mostyn House School, Parkgate.

It was a sorry sight and an even more sorry sound ...


Next on the blog ...

Video clips of St Helens

Friday 29 August 2008

Wedding Belles of Bournville

... or Cazzie and the Chocolate Factory

It's with apologies that I commence the Bournville blog entry. It's been a long time coming for one reason or another - not least because I had to go back to work but also because I had to spend time with my daughters whom I totally neglected while we all went bell-hopping around the country ...

Saturday 16th August


Bournville Carillon,

School Tower, Linden Road, Bournville


www.carillons.org/bournville

Bournville carillon, rising above the Village Schools, overlooks the Village Green. Under its distinctive copper cupola you can see its 48 bells. This carillon is considered by many to be one of the finest in the world.








Most people know that Bounville Village was founded by the Cadbury family, named as such because a stream, the Bourn, ran through the area where George and Richard Cadbury were building their new factory in the 1880's - it was thought quite fashionable to add 'ville' to give it a French air and also to make a tenuous connection with French chocolate which was highly regarded at the time.





We were met at the Carillon Visitor Centre by Arthur Casey who is the Carillon maintenance engineer and historian. The Visitors' Centre is situated in 'The Rest House, which is in the Village Green and which is a beautiful octagonal building built in 1914.




The Rest House was erected to commemorate the Silver Wedding of Mr and Mrs George Cadbury and was a gift from Cadbury employees. Sadly, over the years, the Rest House was vandalised and eventually closed to the public. That was until 1997 when Bournville Village Trust worked to bring the two legacies of George Cadbury together - the Rest House and Carillon - and formally re-opened the Rest House as the Visitor Centre. Incidentally, there has always been an association with the Carillon all stemming from the Belgian City of Bruges. Not only was George Cadbury inspired to construct the Carillon after hearing the bells of Bruges Town Hall, but hand-made bricks from the ancient buildings of Bruges were taken to construct the Rest House.





Arthur escorted us across the road and into the School - a beautiful school, a personal gift to the Village of Bournville from George Cadbury and his wife in 1906. We walked up two floors of the school before taking a short spiral staircase up onto the roof which houses the bells and clavier room.





Caroline had been booked to play both afternoon recitals so it wasn't an impromptu visit. Trevor Workman, the Bournville Carillonneur (of earlier video fame) at this time was on a carillon tour of the USA!





George Cadbury ordered 22 bells from John Taylor & Co, Loughborough and in 1906 they were installed in a small stone belfry on the NW corner of the new village schools. Only one of the original bells, the largest, still remains. Following George Cadbury's death in 1922, a further 15 bells were added in 1923 and 5 in 1925 in his memory - all cast by Talylors.






A major reconstruction of the Carillon took place in 1934 when Gillett & Johnston Bellfoundry, Croyden, re-cast all but four of the bells. They also added 6 more bells, including a new bass weighing 3.25 tons, bringing the total to 48. The belfry was no longer big enough so the bells were hung on a frame in the centre of the tower roof, protected by the cupola. A new clavier was also installed in a cabin on the roof.







Restoration work was carried out again in 1988 by John Taylor's when new clappers and springs were fitted along with a new clavier (above).




Before the 1934 restoration the carillon was played from the room below the stone belfry which now houses the clock and chime mechanism, the remains of the automatic mechanism and the practice clavier (made from the old 1923 clavier).




As part of the original installation the carillon was played automatically four times a day by means of interchangeable drums. Gillet and Johnston installed an electro-pneumatic mechanism in 1935 but this had to be silenced during the war and fell into disrepair.
The clock chimes which are activated by the machinery below are struck by hammers on the outside of the bells as opposed to the Carillon tongues or clappers which strike inside the bells.


There are excellent views from the clavier cabin and roof - this one below looks towards the current Cadbury's chocolate factory.



It's a common belief that Bournville was founded solely to house workers from the Cadbury factory and, whilst George Cadbury wanted to ensure that his workers were housed and given a healthy standard of living with time and places for education and recreation, he did not intend to be 'ruler over an empire' and anyone could buy one of the Bournville houses - not just his employees.



Carillon recitals at Bournville are usually played every Saturday at 12 noon and 3:00 pm and visitors can be given a guided tour of the carillon as well as see the carillon being played by live video link from the clavier room to the visitor centre.



Sometimes recital times have to be amended due to weddings taking place which was what happened on the day we visited. Caroline's first recital started at 1:45 to coincide with the Bride, Groom and their guests leaving the church - the wedding party had all their photographs taken with the atmospheric sound of the carillon bells being played in the background.





Before Caroline played her second recital at around 3:45, again to coincide with a wedding, we explored the village of Bournville and can highly recommend a visit. We were also, unexpectedly and very kindly, treated to lunch by Arthur.


We'd like to thank Arthur Casey for his very warm welcome and his very informative guided tour of Bournville Carillon. Arthur showed us material from the archives not only about Bournville but about most of the Carillons in the UK and Ireland and we'll definitely be back to pick up more interesting snippets about the carillons for the blog / book (?)!


We were particularly interested to see these pictures of the Carillon in Bond Street, London which we have not been able to visit so far - for reasons we are not clear about as yet but will update the blog as soon as we learn the situation.


The Carillon at Bournville is lovingly looked after and respected by both the community and the Village Trust - this is reflected not only in the sheer volume of current and historical information available about it but also in the inauguration of the Carillon School in 2006 by Sir Adrian Cadbury.

Check out the website for lots more news and info:

http://www.carillon.atspace.org/

Coming next on the blog -

Video footage of Parkgate, Cheshire

Friday 15 August 2008

A trilling time ... York


Caroline plays at York Minster





The bells at York Minster




Great Peter ... or Caz in a tiz part 1



Striking Great Peter ... or Caz in a tiz part 2



Caroline Playing for Evensong at York Minster

(the blustery day interfered with the sound recording but you can still get a very good idea of how beautiful it sounds)



Next stop Bournville ....




With a dong in my heart ...

Caroline playing the Edith Adamson Carillon in Newcastle




And for those of you who just 'lurve' to see those bells in action here are the Edith Adamson bells being played (at this point, I think Ian Brunt is playing the clavier).







And in the words of the late lamented Fred Dibner ... 'did yer like that?!'


There's more so keep your eyes peeled! Eyes peeled! Geddit?! Worra larf!

Thursday 14 August 2008

These are a few of my favourite Dings ...

Saturday 9th August

Our Lady's Carillon
Our Lady of the Rosary and St Therese of Lisieux RC Church, Saltley



We arrived in Saltely at about 4:30pm in time for Caroline to play Evensong before the 5:30pm mass. We met up with Clive who is one of the Carillonneurs and he led us up a very tight iron spiral stairway to the clavier room - only a mere 58 steps or so this time!



'Oh joy! Another tower to climb!'



The installation of a carillon here was inspired by a similar 1928 installation at St Patrick's RC Church, Dumbarton; you may recall that we were unable to see the Dumbarton carillon earlier in the tour. The carillon of 23 bells was given to the church by Monsignor John Power (connections with Power Brewery, Dublin) and the bells were consecrated on 2nd January 1933 a year before the new church was completed and consecrated.




Although the climb was very narrow, the tower housing the clavier and the bells is very spacious. The clavier is housed in an inner room and then there are just 18 more steps leading up to the bells which are hung on a frame which you can walk all around - thus enabling us to get some of the best video footage of bells while they are being played so far (to follow).



There's still some research I have to do on this but, apparently, someone (I will find out the name of the author hopefully) wrote a book about the perfect way to install and house a carillon and clavier - including positioning of the clavier in terms of distance from walls etc, distance from bells and the positioning of the bells in relation to the louvres - all designed to get the best sound. This installation was built to those specifications.





Caroline got started pretty much straightaway while the rest of us went up to see the bells.





During World War II the bells were sent away down to Charnwood Forest for safe-keeping where they were looked after at Mount St Bernard's Abbey. It was just as well as the church took a several direct and indirect hits between 1940 - 1941.


You can read more about the history here:
http://www.know-britain.com/parishes/rosary/history_1.html


The bells did not ring from the church again until they were re-installed in 1944.





After Caroline had been playing for around 20 minutes, Clive took over to finish the recital so that Caroline could get a chance to hear how the carillon sounded from outside.





Caroline says that this carillon has been her favourite as the positioning for playing is ideal for her; she also likes the two octave arrangement. She said that the foot pedals were at a slightly different alignment to the batons than she was used to but it wasn't a problem. She also said that the sound of the bells while she was playing was much clearer and more accurate so that she felt that she could be more expressive with them. She certainly played with more confidence on this clavier. Perhaps the 'perfect installation theory' is spot on.



We really enjoyed our visit and would like to thank Clive for inviting us and showing us around. Caroline hopes to be able to go back and play again soon - it's certainly her personal favourite to play so far (except Loughborough, of course!)



Our next visit is to Bournville - Caroline has a booking to play the bells after two weddings. In the meantime you can brace yourself for some brilliant video clips of Newcastle and then York - you'll just love the one of Caroline having a panic over Great Peter!